Post by Jetzt on Mar 15, 2005 23:59:54 GMT
From MF.C
This came out of left field, but I was passed along email from someone who has hooked me up in the past. In the email, he writes that he has seen one of the final cuts, which includes the sound mix, (though it isn't finalized), as well as 90 percent or so of effects work completed. He says he will pass along a review of sorts to me shortly, so this should be interesting.
Edited slightly to avoid revealing the source:
Seeing the nearly completed Revenge of the Sith brings forth some strong emotions, most noteable of all is that the 30 year ride George has taken us on has now come to an end.
I remember seeing Star Wars in 1977 as a boy and feeling a thrill that I never had before, and haven't since in a movie theatre. Being a part of the Star Wars generation gave me alot of expectations for the prequels. When I saw Phantom Menace, I was just happy to see another Star Wars, but the film felt empty, lacking the heart the Originals had. Then came Clones, another film I had the privilege to preview a month before its opening. The second installment was enjoyable, but had its fair share of problems. If anything it was a setup for the movie we all wanted to see, a movie which the prequels were made for in the first place - Episode III. So this is it, the last in the trilogy as well as the saga. Buckle up kids, come May 19 you'll get your last cinematic trip to a galaxy far, far away....
The question from everyone off the bat will be a simple: 'Is it any good?' A follow up would likely be, 'Is is everything I've hoped for and more? Is it the best of them all?' While the answers will likely vary from person to person, in my very humble opinion, having gone into the film with hefty expectations though hesitent to buy into the hype that's been created....
Yes. The film is good. Really good. Revenge of the Sith is a shocking piece of cinema that will likely go down with most fans as the best film in the saga. I say shocking because I would have never imagined that some of the images in this film would come after the gold yellow logo and the main titles we've come to love. The film gets brutal. It's dark, and that's sure to make fans happy and turn some others off. The effectiveness of the film would not be possible without the work of some great talent, and that ladies and gentlemen is what makes me most pleased with Revenge of the Sith.
Well it's about time. The pacing is fast and furious, with a grave urgency attached to every scene in the film. The space battle sets the tone early as pilots frantically fight to survive and strike a crushing blow against the enemy fleet. Our Jedi heroes lighten the mood occasionally with quips and exchanges that were lacking from the previous movies. I now know how great a friend Anakin was to Obi-wan Kenobi. The battle itself is like nothing else in the previous films. The camera winds, dives and brings you into the chaos in what can only be described as dazzling. Computer graphics have made a giant leap forward since Clones, and this sequence takes advantage. It is truly something to be experienced.
Also during the opening battle we are introduced to the saga's newest villain, the part alien part droid, General Grievous. His introduction is classic, that of a frustrated commander shouting orders while occasionally losing his breath and coughing loudly, a colourful addition that adds life to the droid. While he does display a kind of sinister wit, the character may fall victom to the criticism that plagued Jar Jar and other computer generated characters of the prequels. Grievous's sterotypical villain dialogue is sure to be a point of attack from weary critics and fans. The character that immediately comes to mind is "Bosley" from the Care Bears television show. His animation, for the most part, is spectacular and really gets to shine in a fight to the death with Obi-wan Kenobi later in the film.
The battle in space soon carries over to a skirmish aboard an enemy cruiser as the Jedi (and a aggressive R2-D2) move to rescue the captive chancellor. This scene really stuck out in my mind because it directly echos the Death Star scenes in Star Wars. The Jedi keep in contact with R2D2 over a comlink, and the droid providess help opening doors and the such via his signature computer appendage. The scene culminates in the first of severa lightsaber battles between the Jedi and the villain Dooku.
Anakin's seduction to the dark side starts here, as the future Emperor encourages the victorious Jedi to finish off the defeated Dooku. When he does, a stern satisfaction comes over Anakin - though with a tinge of regret - a quality that Palpatine exploits over the course of the film. Worthy of note is that in the cut I saw, the final music track appeared to be in place and it's nothing short of sensational. The space battle music is filled with recognizeable beats and cues from the original trilogy's space battle sequence. As the enemy cruiser makes for a thrilling crash landing (that showcases some of the best work ILM has ever done), the music kicks up a notch, enhancing the urgency of a scene that is sure to wow moviegoers.
The actors feel much more comfortable in their roles in Revenge of the Sith. During the opening sequence, you actually believe the characters are responding to real situations. Hayden's performance during the first duel is spot-on, not breaking from the posed and determined stature of a warrior soon to become an agent of evil. There is some awkward dialogue, however which brings down the performances a bit, but the actors fight hard and stand their ground. Only during the first Padme-Anakin scenes are we reminded about what made Clones' love scenes so difficult to take in. It's not that acting is bad here, in fact it's quite good. There is no awkward blocking or positioning that I found hampered the performances of the leads in Clones, but instead a tenderness between the two lovers that conveys real emotion, amidst often difficult dialogue. Anakin speaks of his love for Padme and how he's missed her dearly, but the scene could lead to some rolling eyes. Nevertheless, these scenes are quite brief in comparison to its Episode II counterpart.
So begins the plot. The end of the Clone Wars are at hand, and the Jedi Council organize in a briefing room, reminiscent of a similar scene in Return of the Jedi, to plan the final stages of the war. Yoda goes to the Wookiee homeworld and Obi-wan to Utapau, a sinkhole planet that's rumoured to be the santuary of General Grievous. Meanwhile, the Jedi have grown weary of Palpatine's leadership and appoint Anakin as a spy to inform the council of the chancellor's activities. These series of scenes are quite well done, and focus on the tension that exists between the Jedi and the executive branch of the Republic. Anakin is caught in the middle, seeing Palpatine as a father figure, but is sworn by duty to the Jedi. His allegiances begin to fall in favour of Palpatine when the Jedi deny Anakin 'master' status, a decision Anakin blames on Obi-wan, whom he feels is jealous of Anakin's power. I take my hat off to Hayden Christensen, who will emerge from this film as a very capable leading actor, especially in a project of such high stature. His confidence becomes arrogance, which then turns to frustration and finally culminates in anger. His emotions are front and center of his portrayal of the dark lord to be.
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This came out of left field, but I was passed along email from someone who has hooked me up in the past. In the email, he writes that he has seen one of the final cuts, which includes the sound mix, (though it isn't finalized), as well as 90 percent or so of effects work completed. He says he will pass along a review of sorts to me shortly, so this should be interesting.
Edited slightly to avoid revealing the source:
Seeing the nearly completed Revenge of the Sith brings forth some strong emotions, most noteable of all is that the 30 year ride George has taken us on has now come to an end.
I remember seeing Star Wars in 1977 as a boy and feeling a thrill that I never had before, and haven't since in a movie theatre. Being a part of the Star Wars generation gave me alot of expectations for the prequels. When I saw Phantom Menace, I was just happy to see another Star Wars, but the film felt empty, lacking the heart the Originals had. Then came Clones, another film I had the privilege to preview a month before its opening. The second installment was enjoyable, but had its fair share of problems. If anything it was a setup for the movie we all wanted to see, a movie which the prequels were made for in the first place - Episode III. So this is it, the last in the trilogy as well as the saga. Buckle up kids, come May 19 you'll get your last cinematic trip to a galaxy far, far away....
The question from everyone off the bat will be a simple: 'Is it any good?' A follow up would likely be, 'Is is everything I've hoped for and more? Is it the best of them all?' While the answers will likely vary from person to person, in my very humble opinion, having gone into the film with hefty expectations though hesitent to buy into the hype that's been created....
Yes. The film is good. Really good. Revenge of the Sith is a shocking piece of cinema that will likely go down with most fans as the best film in the saga. I say shocking because I would have never imagined that some of the images in this film would come after the gold yellow logo and the main titles we've come to love. The film gets brutal. It's dark, and that's sure to make fans happy and turn some others off. The effectiveness of the film would not be possible without the work of some great talent, and that ladies and gentlemen is what makes me most pleased with Revenge of the Sith.
Well it's about time. The pacing is fast and furious, with a grave urgency attached to every scene in the film. The space battle sets the tone early as pilots frantically fight to survive and strike a crushing blow against the enemy fleet. Our Jedi heroes lighten the mood occasionally with quips and exchanges that were lacking from the previous movies. I now know how great a friend Anakin was to Obi-wan Kenobi. The battle itself is like nothing else in the previous films. The camera winds, dives and brings you into the chaos in what can only be described as dazzling. Computer graphics have made a giant leap forward since Clones, and this sequence takes advantage. It is truly something to be experienced.
Also during the opening battle we are introduced to the saga's newest villain, the part alien part droid, General Grievous. His introduction is classic, that of a frustrated commander shouting orders while occasionally losing his breath and coughing loudly, a colourful addition that adds life to the droid. While he does display a kind of sinister wit, the character may fall victom to the criticism that plagued Jar Jar and other computer generated characters of the prequels. Grievous's sterotypical villain dialogue is sure to be a point of attack from weary critics and fans. The character that immediately comes to mind is "Bosley" from the Care Bears television show. His animation, for the most part, is spectacular and really gets to shine in a fight to the death with Obi-wan Kenobi later in the film.
The battle in space soon carries over to a skirmish aboard an enemy cruiser as the Jedi (and a aggressive R2-D2) move to rescue the captive chancellor. This scene really stuck out in my mind because it directly echos the Death Star scenes in Star Wars. The Jedi keep in contact with R2D2 over a comlink, and the droid providess help opening doors and the such via his signature computer appendage. The scene culminates in the first of severa lightsaber battles between the Jedi and the villain Dooku.
Anakin's seduction to the dark side starts here, as the future Emperor encourages the victorious Jedi to finish off the defeated Dooku. When he does, a stern satisfaction comes over Anakin - though with a tinge of regret - a quality that Palpatine exploits over the course of the film. Worthy of note is that in the cut I saw, the final music track appeared to be in place and it's nothing short of sensational. The space battle music is filled with recognizeable beats and cues from the original trilogy's space battle sequence. As the enemy cruiser makes for a thrilling crash landing (that showcases some of the best work ILM has ever done), the music kicks up a notch, enhancing the urgency of a scene that is sure to wow moviegoers.
The actors feel much more comfortable in their roles in Revenge of the Sith. During the opening sequence, you actually believe the characters are responding to real situations. Hayden's performance during the first duel is spot-on, not breaking from the posed and determined stature of a warrior soon to become an agent of evil. There is some awkward dialogue, however which brings down the performances a bit, but the actors fight hard and stand their ground. Only during the first Padme-Anakin scenes are we reminded about what made Clones' love scenes so difficult to take in. It's not that acting is bad here, in fact it's quite good. There is no awkward blocking or positioning that I found hampered the performances of the leads in Clones, but instead a tenderness between the two lovers that conveys real emotion, amidst often difficult dialogue. Anakin speaks of his love for Padme and how he's missed her dearly, but the scene could lead to some rolling eyes. Nevertheless, these scenes are quite brief in comparison to its Episode II counterpart.
So begins the plot. The end of the Clone Wars are at hand, and the Jedi Council organize in a briefing room, reminiscent of a similar scene in Return of the Jedi, to plan the final stages of the war. Yoda goes to the Wookiee homeworld and Obi-wan to Utapau, a sinkhole planet that's rumoured to be the santuary of General Grievous. Meanwhile, the Jedi have grown weary of Palpatine's leadership and appoint Anakin as a spy to inform the council of the chancellor's activities. These series of scenes are quite well done, and focus on the tension that exists between the Jedi and the executive branch of the Republic. Anakin is caught in the middle, seeing Palpatine as a father figure, but is sworn by duty to the Jedi. His allegiances begin to fall in favour of Palpatine when the Jedi deny Anakin 'master' status, a decision Anakin blames on Obi-wan, whom he feels is jealous of Anakin's power. I take my hat off to Hayden Christensen, who will emerge from this film as a very capable leading actor, especially in a project of such high stature. His confidence becomes arrogance, which then turns to frustration and finally culminates in anger. His emotions are front and center of his portrayal of the dark lord to be.
Continued
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